Participatory Public Art · Spatial Imagination · Est. 2021

Studio
Portmann

We develop works, formats and consultancy services that invite communities to collectively reimagine and prototype alternative futures in real space — works that only exist through collective presence.

Making utopia
visible, temporary
and collective.

Studio · Operating principles

Four conditions for enacted utopia.

I.

Enacted

The work requires physical presence to exist. No observers — only participants. Utopia must be built together, in real space.

II.

Structured

Legal, financial and organisational architecture built for longevity. Art practice and production held in a coherent multi-entity ecosystem.

III.

Transferable

Formats documented to travel, license and evolve. What is invented in Olten can run in London or beyond.

IV.

Rooted

Practice grounded in real communities, real budgets and real space — not simulation. Proof of concept before theory.

A manifesto, briefly

Utopia is not a place —
it is a temporary reality
of new relations and place
that for a moment invites people
into collectively created place.

— 01

We build the conditions, not the conclusions. Every format is an open frame the public completes.

— 02

We measure success in repeat collaborators, returning audiences and the formats other cities licence.

— 03

We hold the work in a multi-entity ecosystem so practice can outlive any single funding round.

Practice

Work that only exists through collective, physical participation.

Studio Portmann is the practice of Yannick Portmann, an interdisciplinary artist from Switzerland based in London. The studio creates relational spaces in which people come together through collective action, play and shared imagination — grounded in close attention to the social, spatial and emotional dynamics of public space.

The works are relational-utopian landscapes: spaces of experience where individual inner worlds meet a shared public experience, and participatory practice reframes existing realities. Participatory and contemplative processes are combined with sculptural, architectural and performative elements — light installations, murals, sculptures and ephemeral interventions, often made with communities in collective, sometimes ritual processes, from alpine summits to immersive built environments.

Key works include the social sculpture melt dome (Olten, 2024), the mural URSPRUNG (Lucerne, 2022) and the light procession Leuchtzug ZUKUNFT (Bern, 2025). The work has been covered by national media and supported by the Swiss Society for the Common Good (SGG), the Däster Schild Foundation, cantonal culture funds and an Ernst Göhner Foundation grant; melt dome received an Innocheque from Innosuisse (2024–2027). In 2026, Portmann received the Förderpreis Bildende Kunst of the Canton of Solothurn, and Hägendorf 2100 — Aldgate Edition was shown in London in collaboration with Whitechapel Gallery as part of Backyard Biennial. He is a board member of VISARTE Solothurn, co-president of the association Zusammenspiel (CH) and a member of Social Making (UK).

  • Public Art
  • Spatial Imagination
  • Festival Practice
  • Creative Placemaking
  • Futures Research
  • Participatory Design
  • Format Development
  • Cultural Strategy
  • Lecture Series
  • Editioned Works

Selected works · 2022 — 2026

Projects in motion.

All works →

Partners & support

Foundations, public funds and institutions that have supported and collaborated on the work.

  • Federal agencyInnosuisse
  • FoundationErnst Göhner Stiftung
  • SocietySGG — Swiss Society for the Common Good
  • FoundationDäster Schild Stiftung
  • CantonKulturfonds Solothurn
  • FoundationHugo Looser Stiftung
  • FoundationHeinrich und Frieda Wachter-Stiftung
  • CollaborationWhitechapel Gallery
© 2026 Studio Portmann — Yannick PortmannLondon · OltenBuilt in real space